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Local Briefs
Indigenous Peoples Task Force launches $3.5 million capital campaign
Thursday, December 03 2015
 
Written by Catherine,
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iptf_building_pro_webj.jpgThe Indigenous Peoples Task Force (IPTF) has launched a $3.5 million capital campaign to build a new Center for Art and Wellness, to be called Mikwanedun Audisookon. The Ojibwe name, chosen with the help of elders in the Native community, translates as “remember our teachings”.

Mikwanedun Audisookon will be located adjacent to IPTF’s existing offices and housing at East 24th Street and 13th Avenue South in the heart of the Phillips neighborhood in Minneapolis.
Built of indigenous-based building materials and utilizing renewable energy, the state-of-the-art facility will allow IPTF to consolidate its programs and expand its ability to improve the stability, health, cultural vitality, and economic growth of the Native American and South Minneapolis communities.

IPTF’s work is grounded in Native cultural and healing practices passed down through generations. Mikwanedun Audisookon will provide an urban sanctuary where body, mind and spirit can become whole.
Minneapolis Mayor Betsy Hodges is enthusiastic about Mikwanedun Audisookon, saying, “This beautiful new facility, in the heart of the Phillips Community, will honor our shared environment and strengthen the vital work of the Indigenous Peoples Task Force. It will also underscore the City’s stated commitment to promote the well-being of the American Indian and Indigenous community in Minneapolis.”

IPTF, formerly known as the American Indian AIDS Task Force, was the first organization in the nation to provide housing tailored to the needs of Native Americans living with HIV. Its successful development, Maynidoowahdak Odena, is a 14-unit permanent housing and supportive services program adjacent to the new Mikwanedun Audisookon site. With an operating budget of $1 million, and serving more than 1,500 youth and adults annually, IPTF has been an innovative provider of culturally appropriate health, education, housing and case management services for Native Americans for more than 25 years. IPTF weaves theater, experiential learning and traditional arts and crafts into its work, especially in programs designed for indigenous youth.

In addition to serving people with HIV/AIDS, IPTF’s culturally sensitive, experiential approach to HIV prevention, women’s health, tobacco cessation, and childhood diabetes are modeled across the state and nation. This same unique and highly efficacious approach will be applied to the new programming opportunities the Art and Wellness Center will provide. Under the leadership of Executive Director Sharon Day, (Ojibwe) IPTF has also emerged as a growing leader in the movement to protect and sustain land, water and indigenous seed resources.
Mikwanedun Audisookon will feature a light-filled lobby gallery that serves as a welcoming community gathering space. The center will expand opportunities for art programming and experiential learning and entrepreneurism, including:
· A studio/workshop for training and entrepreneurial development in traditional arts such as cedar box construction and black ash basket making.
· A commercial kitchen and garden which will include Native medicine and food plants, and provide training and the development of value added products based on traditional, healthy foods.
· An intimate theater space that will allow IPTF to expand on its successful Ikidowin Program, a youth theater initiative which educates youth on pregnancy prevention and other issues.
· An intimate gallery that will provide space for the exhibition of both traditional and contemporary art and craft.
The addition of the Mikwanedun Audisookon Center for Art and Wellness will also result in:
· Training and certification in green building technologies during the construction phase, utilizing compressed earth block (“CEB”), photovoltaic and geothermal energy, along with water quality best management practices.
· Improved community safety, economic stability and relationship building by welcoming youth and adults of all backgrounds.
· Increased value of adjacent property.
· Reduced crime from increased foot traffic to and from the Center for its trainings, programs and projects.
· Increased arts and cultural programming with hands-on creative opportunities for both youth and adults.
IPTF is allied with a number of community based organizations, including Minneapolis American Indian Center, Minnesota Indian Women’s Resource Center, Waite House, Indian Health Board, Guadalupe Alternative Programs, Open Arms, Native American Church, Little Earth of United Tribes, American Indian OIC, and Women’s Environmental Institute. In addition to local partners, IPTF collaborates state-wide with numerous Native agencies representing Minnesota’s eleven Tribal communities and nationally with HIV and environmental organizations.
Mikwanedun Audisookon Center for Art and Wellness will be the latest in a series of Native-driven development initiatives in the Phillips neighborhood of Minneapolis; these developments include the Franklin Cultural Corridor featuring All My Relations Gallery, Pow Wow Grounds Café and the new indigenous-inspired mural at the Franklin Avenue LRT Station.
Exclusive development rights have been secured from the City of Minneapolis to build on the Phillips site. Total projected cost is $3.5 million with groundbreaking scheduled for spring, 2017 and construction completed by August, 2018.
For more info, email Sharon Day at This e-mail address is being protected from spam bots, you need JavaScript enabled to view it , or call 651-325-8077.

Carceral Colonialism: Imprisonment in Tribal Country
Thursday, December 03 2015
 
Written by By Alisha Volante, Brianna Wilson and Elena Hristova,
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incarceration_story_graph.jpgAmerican Indians make up a little more than 1% of the population in Minnesota, yet make up almost 10% of those incarcerated. To put that in perspective, white Minnesotans make up 83% of the population but only 47% of those incarcerated (prisonpolicy.org).

The U.S. incarcerates more of its citizens than any other country in the world. And Minnesota incarcerates a higher percentage of American Indians than any other ethnic group, yet often the incarceration conversation fails to address Native communities.

In an attempt to address this, undergraduates, graduate students, Professors Brenda Child (American Indian Studies), Kevin Murphy (American Studies/History) and Jean O’Brien (History/American Indian Studies) at the University of Minnesota have joined a nationwide mass incarceration interpretation project and, in Minnesota, our focus is American Indian incarceration.

Launching in April 2016, Humanities Action Lab (HAL), is presenting, States of Incarceration Project, exploring the past, present and future of incarcerated people in the U.S. The University of Minnesota will be among 20 universities in the US and France contributing to the traveling exhibit and website.

HAL’s pilot project, the Guantanamo Public Memory Project, was the first major collaborative effort to offer multiple perspectives on GTMO’s history and what it represents. Two years and 18 cities later, this project has reached more than 500,000 people through social media, the website, and face-to-face interaction with the exhibit. The exhibit is scheduled to travel to New York, California, North Carolina, New Jersey, and Minnesota (in 2018).

The University of Minnesota will be the only exhibit contributor to focus on mass incarceration and American Indian communities. Students are grappling with two overarching questions: Why are American Indians the most overrepresented incarcerated ethnic group in Minnesota, and what is the historical legacy of American Indian incarceration in Minnesota? Students are investigating broken treaties, colonial incarceration, boarding schools, and various iterations of technologies of state power and violence preceding the current incarceration disparities in the state.

Undergraduates are working on a range of projects under the theme of understanding mass incarceration of Native people as extensions of racism and settler colonialism. The projects include the following: a history of the Dakota 38, the largest mass execution in US history; the history of American Indian boarding schools in the upper Midwest and their legacy in relation to incarceration and the school-to-prison pipeline; the history of allotments and broken treaties and their relationship to the concentration camp at Fort Snelling from 1862-1863; the history of Little Earth, a site of resistance to carceral practices, and of Native self-determination; and an evaluation of how the current Minnesota public school curriculum addresses (or fails to address) the Ft. Snelling concentration camp and the US-Dakota War.

Native retailers not dependent on holiday season
Thursday, December 03 2015
 
Written by Lee Egerstrom,
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native_businss_web.jpgNative American retailers in Minnesota who sell arts, crafts, Native and local foods and other specialty products are not as dependent on the November-December peak gift buying and shopping season that are make-or-break times for most large retail chains and stores.

Other seasons have greater impacts on sales of niche market products, several retailers and suppliers of Native American products said. The end of the year holiday season is still important and can cap off a profitable year. But a burst of sales for the holidays doesn’t sustain small business people in niche markets.   

Stores such as Northland Visions in south Minneapolis need strong sales year around to maintain inventories of artworks from Native artists and to keep stocks of art supply materials it sells to hobby customers and artists, said store manager Greg Bellanger (Ojibwe).

“We don’t have a ‘Black Friday’ like the big chain stores,” added his mother Marilynn Bellanger. “We can’t operate all year and then become profitable on the day after Thanksgiving.”

The same is true for Spirit Bay Trading Company in Duluth. There, said company founder Terry Smith, the big shopping season is the summer tourism season when Midwesterners descend onDuluth’s Canal Park to play and stay cool by Lake Superior.

Randy Beaulieau is both a specialty retailer and a wild rice processor and supplier. The biggest season for his Autumn Harvest Ojibwe Wild Rice is the summer Farmers Market season in Minneapolis, he said, when he is an active retailer.

Nov. What's New In The Community
Tuesday, November 03 2015
 
Written by The Circle,
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Tiwahe Foundation receives 1 Million grant from Northwest Area Foundation
The Northwest Area Foundation (NWAF) has awarded a $1 million Presidential Grant to the Tiwahe Foundation, an emerging Native community foundation that serves the Twin Cities area, for its “Investing in Indian Philanthropy” project. The grant is twofold: $300,000 is slated to provide operating support for Tiwahe, with the remaining $700,000 allocated as a challenge grant to help Tiwahe leverage additional funding for its endowment campaign.

The grant embodies NWAF’s commitment to build Native giving and empower Natives to fund other Natives. According to Tiwahe President and CEO Kelly Drummer, “This grant will be a part of creating history as one of the first community-led endowment campaigns in the country for American Indians.”
Founded in 2009, Tiwahe Foundation strives to be a resource for philanthropy across Indian Country. It is the only foundation to use an asset-building approach in the Indian community through a micro-granting program.

To date, Tiwahe American Indian Family Empowerment has awarded 600+ grants for educational attainment, economic advancement, and cultural revitalization to the Twin Cities Native American community.

“We hope this grant will further propel Tiwahe’s endowment campaign, ensure its long-term sustainability, and help continue the successful grant-making programs that have enriched urban Native families,” said Karla Miller, program director for NWAF.

The Northwest Area Foundation supports organizations that drive proven approaches and promising innovations to help people build assets through good jobs and financial capability. Its grantees are champions of change who reflect the diverse cultural strengths of its region, which includes the eight states of Minnesota, Iowa, North Dakota, South Dakota, Montana, Idaho, Washington, and Oregon, and more than 75 Native nations. For more information, visit www.nwaf.org.


Minneapolis American Indian Center receives 1.2 M federal grant
On October 1st, the Administration for Native Americans, of U.S. Department of Health and Human Services officially notified the Minneapolis American Indian Center (MAIC) that they had been selected to receive a three-year $1.2 million dollar grant. The goal of the Native FAN (Fitness And Nutrition) Program is to reduce obesity and obesity-linked diseases such as diabetes, heart disease and other chronic diseases in the Minneapolis American Indian community which is disproportionately impacted by obesity and diabetes. Native FAN plans to work with 500 community members, and will recruit and provide incentives to 100 individuals with risk factors such as sedentary lifestyle, obesity, or diabetes to get involved with the program, to come on a regular basis, and to achieve their fitness goals. The program has a cultural focus by emphasizing physical activities like traditional Native dancing, Lacrosse, and endurance sports, as well as contemporary activities like men’s basketball, family volleyball, martial arts, yoga and biking clubs.

There will be monthly classes focusing on learning about nutrition, meal planning, shopping and cooking, with Native chefs providing cooking demonstrations using traditional Indigenous foods. Quarterly health fairs, workshops and powwows will be held that offer health screening and education on preventing and managing cancer, heart disease and diabetes. The project will work with a number of community partners including Dog Soldier Mixed Martial Arts, Twin Cities Native Lacrosse Club, Native American Community Clinic, Dream of Wild Health, American Indian Cancer Foundation, the Indigenous Peoples Task Force, as well as fitness clubs to coordinate physical activities, nutrition education and health screening events. The project will also entail a policy component to overhaul the health and wellness and nutrition policies for the Minneapolis American Indian Center and partnering agencies. For more info, contact Mary LaGarde at 612-879-1750, or email: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

The Lake Superior Ojibwe Gallery opens
The new Lake Superior Ojibwe Gallery was formally dedicated on October 20 in Duluth, Minnesota.  The Ojibwe Gallery features the work of internationally recognized 19th century painter Eastman Johnson. The gallery is a project of the St. Louis County Historical Society, custodians of the art depicting the Ojibwe people when Johnson visited the “Head of the Lakes” in 1856 and 1857.
According to Society Executive Director JoAnne Coombe, “The mandate for the gallery – conveying the voice and viewpoint of the Lake Superior Ojibwe – developed after years of collaborative discussion with a hardworking American Indian Advisory Committee comprised of tribal appointees from the Fond du Lac, Bois Forte and Grand Portage Bands and at large members of the American Indian community.” 

The Lake Superior Ojibwe Gallery project was made possible by the support of the residents of St. Louis County and funding provided through the Clean Water, Land and Legacy Amendment, the JNM Gift Trust and the Depot Foundation.

The Ojibwe Gallery is on the top floor of the Duluth Depot in Duluth, Minnesota. For more info, call JoAnne Coombe at 218-733-7586 or email This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

 

NACF awards 2015  Upper Midwest regional artist fellowships
Seven Native artists from the Upper Midwest have been awarded Regional Artist Fellowships from the Native Arts and Cultures Foundation (NACF). This is the second consecutive year that the NACF has awarded the fellowships, which recognize Native artists for artistic vision, development and impact to community and culture in the traditional and visual arts categories.

This year’s Traditional Arts Fellows are Amelia Cornelius, April Stone Dahl and Pat Kruse. The Visual Arts Fellows are Bennett Brien, Jim Denomie, Dyani White Hawk Polk and Maggie Thompson.
Regional Artist Fellowship recipients receive a monetary award that supports the completion of a project and pursuit of professional development, both of their choice within the Fellowship term.
The 2015 Regional Artist Fellows include: Bennett Brien, Large-scale Sculpture, Turtle Mountain Band of Chippewa; Jim Denomie, Painter, Annishinabe, Lac Courte Oreilles; Dyani White Hawk Polk, Contemporary Art, Sicangu Lake (Rosebud Sioux); Maggie Thompson, Textile Fiber Art, Fond du Lac Band of Minnesota Chippewa; Amelia Cornelius, Cornhusk Doll Maker, Oneida Tribe of Wisconsin; April Stone Dahl, Black Ash Basket Maker, Bad River Band of Lake Superior Chippewa (Ojibwe); and Pat Kruse, Birch Bark Art, Red Cliff Band of Lake Superior Chippewa and Mille Lacs Band of Ojibwe
To date, NACF has supported more than 160 artists and projects throughout Native country. For more info, see: www.nativeartsandcultures.org.

Red Lak Band receives grant from MN DEED
The Minnesota Department of Employment and Economic Development has awarded grants to about a dozen nonprofits in Minnesota, including the Red Lake Band of the Chippewa Indians Entrepreneur Development Program. The two-year grants total $2.7 million to 11 nonprofit organizations to provide services and technical assistance to emerging businesses and entrepreneurs in the state.

“These nonprofit organizations help businesses start and survive during the early stages of the business development,” DEED Commissioner Katie Clark Sieben said.

The Red Lake Band of the Chippewa Indians Entrepreneur Development Program was awarded $100,000 to assist individual entrepreneur in establishing and growing new businesses in the Red Lake Nation.

Art glorifying the conquest of Indians needs to leave state capitol
Tuesday, November 03 2015
 
Written by Scott Russell,
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Father Hennepin at St. Anthony Falls hangs in  the Governor’s Reception Room.Artwork in the Minnesota State Capitol shows American Indians being “civilized,” losing land to treaties, and being defeated in battle. The art tells a very slanted version of history; and portrays American Indians negatively. This artwork has long been a sore point, particularly given that it hangs in the building where laws are made.

However, the Minnesota State Capitol is undergoing a major renovation, a once-in-a-lifetime opportunity for change. The state created an Art Subcommittee to make recommendations about the art. The Subcommittee includes two noted American Indian leaders: Gwen Westerman, Dakota, a University of Minnesota-Mankato professor, and Anton Treuer, Ojibwe, a Bemidji State University professor.

At a recent hearing, Westerman spoke about some of the art’s historical inaccuracies, and commented on how it showed Dakota people as “a faceless menace.” “Imagine,” Westerman said, “coming here and seeing yourself or your family members depicted in these paintings.”

The capitol art debate is similar to the debate about flying the Confederate Flag over the South Carolina statehouse. Both involve a battle over symbols. In the Minnesota context, the questions are: Do these paintings and symbols reflect the best of our heritage and values? What do we do with art and symbols that are unwelcoming and hurtful?

Here are brief descriptions of some of the most problematic art. None of this art has any historic interpretation.

The Discoverers and Civilizers Led to the Source of the Mississippi (Senate Chambers): The painting shows an Indian man and young woman and the spirit Manitou cornered at the Mississippi’s headwaters. They are surrounded on one side by “discoverers” and on the other by “civilizers.” Angelic beings guide the discoverers and civilizers, signifying divine intervention. The Indian couple looks afraid. The young woman is half naked, both offensive and a false representation of customs. The group of “civilizers” includes a priest with a cross, and behind the priest crouches a man restraining two angry dogs, signifying imminent threat.  

Father Hennepin Discovers the Falls at St. Anthony (Governor’s Reception Room): The painting shows Father Hennepin at the falls, renaming it after his patron saint. The term “discovers” is wrong. Hennepin stands in a position of authority, towering over the people sitting below him, when in fact he was a Dakota prisoner at the time. At right, the painting shows a half-naked Dakota woman carrying a heavy pack. Her lack of covering is historically inaccurate and offensive, an apparent effort to show her as uncivilized.

Treaty of Traverse des Sioux (Governor’s Reception Room): The Dakota ceded almost all of their land in this 1851 treaty. The painting depicts the negotiation as calm and fair. It was not.

Battle of Killdeer Mountain (3rd floor conference room): This 1864 battle, Minnesota troops had been sent far into Dakota Territory to punish Dakota people for the 1862 war and create access to western gold fields. The painting shows Minnesota troops firing on an Indian encampment. Many Dakota and Lakota under attack were not hostile to the U.S. and had nothing to do with the 1862 war.

Minnesota–Spirit of Government (House Chambers): This sculpture includes the saying: “The Trail of the Pioneer Bore the Footprints of Liberty.” Rep. Diane Loeffler, the Art Subcommittee tri-chair, has suggested removing those words.

At minimum, this art needs better interpretation so people know the history and symbolism. Better yet, some art should be moved to a museum.

The solution also needs to include adding new art that reflects our state’s current cultural diversity. Thousands of school children tour the capitol each year, students of all colors. There is little in the current art that tells children of color they belong in the capitol.

The good news is that the capitol renovation is creating space for new art. The Art Subcommittee created a statement of purpose for capitol art, which points in the right direction: “The purpose of art in the Minnesota State capitol is to tell Minnesota stories. Works of art in the Capitol should engage people in reflecting on our state’s history, understanding our government, recognizing the contributions of our diverse peoples, inspiring citizen engagement, [and] appreciating the varied landscapes of our state.”

Minnesota could consider approaches used by other states. For instance, the New Mexico State Capitol showcases works by contemporary New Mexico artists. Alaska created space to feature student art.

A group called Healing Minnesota Stories and art teacher Rachel Latuff collaborated to get Minnesota students creating alternative capitol art. [Full disclosure: I volunteer with this organization.] Three schools have participated so far, including Oshki Ogimaag, an Ojibwe Elementary Charter School in Grand Portage.

How would the presence of student art change the capitol’s atmosphere? Above is one example, artwork done last spring by Oshki sixth grader Ariana Poyirier of the Marten clan. Here is her artist statement: “Eagle Woman: My painting is of a transformation of eagle to girl/girl to eagle. The image has to do with my connection to the eagle. The eagle is important to me and to my community and a symbol of our culture. To me, my painting reminds me of my Grandma. Family is important in our culture. We are connected. Cedar and beadwork on the border … are also important to my culture. We drink cedar tea by boiling it in water. It is used for medicine. I put the beads around the girl because I do beadwork. This is a traditional craft in our culture. I am proud to be a Native American from Grand Portage and I am part of Minnesota.”

The Art Subcommittee will hold public hearings in Bemidji, Duluth, Rochester, Mankato, and the Twin Cities. Dates include: Rochester on Nov. 10, Rochester Area Foundation Community Room. North Minneapolis on Nov. 12, Minneapolis Park & Recreation Board Admin Building. Willmar on Nov. 16, Ridgewater College. And Mankato on Nov. 23, Ostrander Auditorium, Minnesota State University. For times, see: http://mn.gov/capitol-restoration/art. For more info, visit: http://mn.gov/admin/ capitol-restoration/about/preservation-commission/art/ for announcements.

Sign the petition asking the state to remove the most offensive art at: http://tinyurl.com/oz8xdzo.

Scott Russell volunteers with Healing Minnesota Stories.

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