Joe Nayquonabe Sr.’s guide to ceremonial drum at Mille Lacs

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Joe Nayquonabe Sr.

By Joe Nayquonabe Sr./Transcribed by James Clark

Editor’s note: Orignally published in April 2022 in the Mille Lacs Band of Ojibwe’s Ojibwe Inaajimowin newspaper.

Aaniin Anishinaabedog! Waabishkibines omaa (hello fellow Anishinaabe! Joe Sr. here). With the times we live in, I must tell you about the article I have written. This article is full of my words, observations, and experiences that I have encountered throughout my life, and it is time to have these subjects written down. Understand not everything needs to be written, but various teachings cannot be lost. That being said, as Anishinaabe, we all experience life differently. This disclaimer is needed for all intents and purposes as the goal of this article is: to better equip our people who’d like to learn, and for topics people may not have the ability to ask an Elder about. If these teachings are not as you learned them, that is okay. It is not our way to blame and criticize but to teach and show compassion.

People have come far and wide to tell me that they do not feel comfortable going to the dances, especially when they get there. It’s like going to school. If you want to learn about the dance, you need to be there.

Process — How Joe Enters the Dance Hall

Find an open place to sit (some places are designated for members/female members/drum keepers/warriors (Ogichi-daag)), dress appropriately for the ceremony ahead, and use your discretion, as this is sacred to us Anshinaabeg.

Around the drum there is aa Asemaa dish. Joe notices upon various people’s entering the dance hall and then after ceremonial proceedings, they put Asemaa down (not required of all visitors).

After a few opening songs, the speaker will be announcing the beginning of the ceremonial proceedings, and then he will tell the singers to begin the ceremonial songs that belong to that drum.

Each member of the drum has a designated song that they will dance to. Members give gifts after their song, which shows they are thankful and appreciative for their song. These gifts are given to whomever the members feel should receive it.

In addition, visiting drum members may choose to also dance along to those songs they were designated at their home dance.

After the ceremonial songs are completed, that is when they finish a bundle of gifts that will be set out for the members of the visiting drums. The tobacco dish will be set out for people to put their Asemaa down.

Once those bundles are completed, the pipe will be lit and prayers will be offered by a speaker for the bundles, the people in attendance, and those in need.

When setting Asemaa down (praying), people may put Ase-maa down for those they wish the drums to protect/look over, Joe offers his Asemaa for the warriors, people dealing with ad-diction, and finally his Namesakes.

Once everyone who belongs to that drum puts Asemaa in, you can continue to offer (again, not required of all visitors).

Once those bundles are counted by number of visiting drum members present, they’ll be divided up.

After that, the pipe man will begin to smoke the pipe and start to share with the people around the drum, and then visiting drum members, and if there’s any left then the non-members.

Then the home drum keepers will distribute the bundles to the visiting members. If the keepers and members of the same drum are there, then they could open the bundles and distribute. Otherwise, you open the bundle at home and give to those that take care of the drum at a later time.

Once done, the speaker will talk about having dinner and get-ting ready for the social.

The second part begins with the lady’s song. How do you know if someone wants to dance with you? They’ll give you a gift to dance. Once that dance is complete, you go back and give that person something to dance one more time (for example: ma-terial, money, blanket, or beadwork).

Once the night is danced away, then you begin to close with one last song.

If you see me at the dance hall with an open seat, then come and sit next to me and I will let you know what is going on to the best of my knowledge during whichever part of the dance we are at.

People are having fears about not being able to speak/under-stand the language and also what is going on and the cultural protocol. The creator and drum are happy to see everyone there and it belongs to the Anishinaabe people. No shame for not yet knowing our language and culture, it belongs to all of us, not just a group. Creator understands.