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Red Ink, a play within a powwow, premieres at Mixed Blood Theatre

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redink_premiere.jpgThis month, the premiere of Red Ink (billed as “plays-within-a-powwow”) will open at Mixed Blood Theater in Minneapolis. Written by seven Native playwrights, Red Ink explores the issues of contemporary Native life.

The play is written as a series of short scenes that explore many aspects of the Native American experience, from casinos and Native art to reality television shows. 

Rhianna Yazzie (Navajo) is the head writer for the play and says she was initally approched by Mixed Blood Theater’s director about writing something for them.

Yazzie said, “Jack Rueler, the artistic director of Mixed Blood, approached me just around the time I was moving from Los Angles to the Twin Cities on a Playwrights’ Center Jerome Fellowship in the summer of 2006. He said that he had been wanting Mixed Blood to reconnect to the Native community and thought that one of Mixed Blood’s signature “multi-playwright” shows would be the best way to do it. He asked me to be the head writer to guide the process along and create continuity amongst all the short plays as well as be the link between the Native community and their theatre.”

Commissioned by Mixed Blood Theatre, the writers of Red Ink have been working on the piece for three years.

“He [Rueler] told me, and all the other writers, to write as if the entire audience were Native, so don’t try to educate, don’t try to put things into context, or change the way you talk, or the subject matter you bring up. It’s been this guiding principle that I’ve kept in mind as we developed the play,” said Yazzie.

powwow_listing.jpgRed Ink includes pieces written by Diane Glancy, Tomson Highway, Yvette

Nolan, Darren Renville, Arigon Starr, Russ Tall Chief, Drew Hayden

Taylor and Rhiana Yazzie.

The show stars Arigon Starr, Cochise

Anderson, George Keller, Juanita Blackhawk, Ernest Briggs, Clementine

Bordeaux and Mixashawn. And is directed by Sarah Rasmussen.

Not

only are the writers and cast Native but some backstage help are also

Native. Yazzie said, “It was important to me to push Mixed Blood to

seriously consider involving Native artists in more aspects than just

the writing. So now we have Native artists on our design teams. I felt

like if this is really going to be a Native show we have to have as

many Native folks behind the scenes as we do on the stage.”

Red

Ink runs from April 23 to May 10, 2009. A special performance on April

22 will be held as a fundraiser for The Circle and will include a

silent auction and after-performance reception. Tickets for the Special

Event Fundraiser are $30 and can be ordered  online at:

www.thecirclenews.org.

The

Mixed Blood Theatre Company was founded 31 years ago and promotes

cultural pluralism, individual equality and artistic excellence.

Funding for Red Ink comes from the Indian Land Tenure Foundation.

Price

run $11-$30, discounts are available for students, seniors, and groups

of 10 or more.  All performances are at the Mixed Blood Theatre,

located at 1501 S. Fourth Street in Minneapolis. Tickets for Red Ink

are on sale at 612-338-6131 or at: www.mixedblood.com. Mixed Blood

Theatre, 1501 S. 4th St, Minneapolis, MN.

Red Ink Performance Schedule
    $30
Wed., April 22: 6:30 pm.  
Special Performance Fundraiser for The Circle. Silent auction begins at 6:30 with

performance starting at 7:30 pm. Reception

to follow the performance. Order Fundraiser tickets online at: www.thecirclenews.org.

Thurs., April 23 7:30 pm $11
Fri., April 24 7:30 pm $30
Sat., April 25  7:30 pm $30
Sun., April 26 3:00 pm $24
Wed., April 29 7:30 pm $12
Thurs., April 30  7:30 pm $22
Fri., May 1 7: 30 pm $24
Sat., May 2   7:30 pm $30
Sun., May 3 3:00 pm $24
Wed., May 6  7:30 pm $12
Thurs., May 7 7:30 pm $22
*Access Night: ASL Interpreted, Audio Described, and Captioned for the hearing impaired. 
Fri., May 8  7:30 pm $24
Sat., May 9 7:30 pm $30
Sun., May 10 3:00 pm $24

This reporting is made possible by readers like you.

The Circle is a nonprofit newsroom with no tribal affiliation, no corporate ownership, and no paywall. Independent Native journalism depends on reader support.

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